

Yoko Ono made a 5-minute film about a match. It's actually transcendent.
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
Cinematography
2,000fps match footage — literally watching time surrender
Direction
Ono turns disposable into devotional with one gesture

Director
Yoko Ono
Trivia, insights & behind the scenes
Fluxfilm No. 14 arrived when Hollywood was drowning in epic spectacle; Ono's radical counter-move was making the microscopic monumental.
The 2,000fps technique transforms combustion — usually a blink — into a slow-motion death ballet, foreshadowing how digital culture would later stretch and scrutinize every moment.