Trace No. 23 (1966)

Part of the Fluxfilm anthology, this was screened at the Filmmakers' Cinematheque in 1966 alongside works by Yoko Ono and George Maciunas. The audience reportedly argued for hours about whether it was brilliant or insulting.

Watts, a founding Fluxus member, believed art should be 'uninteresting' to force viewers into pure perception. The sausage is never explained—resisting interpretation is the entire point.