After a traumatic miscarriage, Lola and her husband, Adolfo, adopt Tin and Tina, a lovely albino brother and sister with an ultra-Catholic education that makes them interpret the Holy Bible verbatim.
Acting
The twins' dead-eyed sincerity will haunt your dreams.
Production
Spain's religious iconography as visual horror language.
Direction
Stein weaponizes childhood innocence like a blunt instrument.
Director
Rubin Stein
Trivia, insights & behind the scenes
Spain's Franco-era Catholic education system created real 'Tin and Tina' generations—Stein grew up hearing these stories at family dinners.
The albino casting wasn't cosmetic: Stein wanted visual 'otherness' that religious communities historically associated with divine mystery or demonic presence.
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