After a heist, four criminals lay low in a remote safehouse, waiting for orders. As paranoia builds, one thing becomes clear — the real threat may not be outside, but among them.
Acting
Marsan and Gorman weaponize every micro-expression — masters of the slow boil.
Direction
Roper traps you in corners with the characters; the frame feels like a cell.
Writing
Dialogue sharp enough to cut — every conversation is a negotiation with a knife.
Director
Barnaby Roper
Trivia, insights & behind the scenes
Roper shot the safehouse sequences in chronological order to let the cast's genuine fatigue fuel the paranoia.
The title nods to Yeats' 'The Second Coming' — 'the best lack all conviction, while the worst are full of passionate intensity' — which basically summarizes every character here.
US
