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A clockmaker, a blackmail scheme, and a ghost story that refuses to behave like one.
TMDB
63
IMDb
68
Rotten Tomatoes
62
Audience Score
74
Google
80
Watch(FR)

The Story of Marie and Julien (2003)

dreamlike puzzleslow-burn obsessionRivette's ghost logic

Overview

FantasyDramaRomanceMystery

Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.

Flag of FRFRFlag of ITITFrench
Content warning

Standout Aspects

Direction

Rivette's 150-minute dream logic, unhurried and exacting.

Acting

Béart's uncanny stillness—she's present and absent simultaneously.

Writing

The script began in 1975, abandoned, then resurrected.

Best for:Solo: Late night, no interruptions, let it hypnotize you.·Date Night: If your date loves puzzles and patience.·Rewatch: Second viewing unlocks the architecture.
Heads up:Sexual Content: Several extended, intimate scenes with Béart—unflinching but not gratuitous.
Jacques Rivette

Director

Jacques Rivette

ReleasedSep 10, 2003
Runtime2h 30m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonemixed
Feelheavy
Pierre Grise Productions
Cinemaundici

Top Cast

Emmanuelle Béart

Emmanuelle Béart

Marie

Jerzy Radziwiłowicz

Jerzy Radziwiłowicz

Julien Müller

Anne Brochet

Anne Brochet

Madame X

Olivier Cruveiller

Olivier Cruveiller

l'éditeur

Mathias Jung

Mathias Jung

le concierge

Nicole Garcia

Nicole Garcia

l'amie

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Rivette shot 30 minutes in 1975 with Leslie Caron and Albert Finney, then abandoned the project for 28 years due to exhaustion. He resurrected it with new actors but kept the original script structure intact.

Insight

Marie's condition—existing only through Julien's desire and memory—reads as Rivette's sly commentary on how French cinema traditionally consumed female stars like Béart: beautiful, enigmatic, and ultimately disposable.

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