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Ingrid Bergman's first film role: a priest's lightning-strike amnesia can't erase his sins.
TMDB
60

Ocean Breakers (1935)

pre-Code melodramaSwedish gothicmoral panic

Overview

Drama

Daniel has been forced by his father to become a priest. After graduating, he comes to a parish in Hälsingland. During one stormy night, he seduces a young girl, Karin, and rapes her. Filled with regret, he runs out into the dark night and is struck by lightning. He loses his memory and is taken to a distant hospital to recover. Meanwhile Karin gets pregnant and has a child. Eventually Daniel comes back and when he meets Karin his memory returns.

Flag of SESESwedish
Content warning
religious hypocrisysexual guiltmemory and identityforced vocation

Standout Aspects

Acting

Bergman's screen presence already magnetic at seventeen.

Cinematography

Expressionist shadows and actual storm sequences.

Best for:Solo: Brooding alone with storm sounds playing.·Rewatch: Tracking Bergman's raw 17-year-old debut.
Heads up:Disturbing: Sexual assault depicted, treated as moral failing not crime.
Ivar Johansson

Director

Ivar Johansson

ReleasedFeb 17, 1935
Runtime1h 10m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy
SF Studios

Top Cast

Ingrid Bergman

Ingrid Bergman

Karin Ingman

Sten Lindgren

Sten Lindgren

Daniel Nordeman

Tore Svennberg

Tore Svennberg

Anders Nordeman

Bror Olsson

Bror Olsson

The reverend

Carl Ström

Carl Ström

Lars Ingman

Georg Skarstedt

Georg Skarstedt

Olle

Carin Swensson

Carin Swensson

Britta

Holger Löwenadler

Holger Löwenadler

The doctor

Weyler Hildebrand

Weyler Hildebrand

Wiktor Andersson

Wiktor Andersson

Helga Brofeldt

Helga Brofeldt

Carl Browallius

Carl Browallius

Sven-Eric Gamble

Sven-Eric Gamble

Ask about Ocean Breakers

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Deep Dive

Trivia, insights & behind the scenes

Trivia

This was Ingrid Bergman's first credited film role at age 17; she was paid 500 kronor and later called it 'terrible.'

Cultural

Part of Sweden's 1930s 'fallen woman' cycle, where rural settings heightened sexual danger—think Bergman as proto-Dreyer heroine before Hollywood polished her.

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