

A wisecracking New York reporter intrudes on a research scientist's quest to unmask The Moon Killer.
Cinematography
Rare early Technicolor—those greens and reds hit different in horror.
Acting
Lionel Atwill's measured madness vs. Lee Tracy's motor-mouth reporter.
Production
The morgue set—gloriously grimy pre-code production design.

Director
Michael Curtiz
Trivia, insights & behind the scenes
This was the last horror film shot in two-strip Technicolor; the process was abandoned for being too expensive and limiting.
The 'Moon Killer' panic mirrors real 1930s media frenzies, with Lee Tracy's reporter embodying the era's ethically bankrupt journalism.
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