

A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.
Practical Effects
The vampire makeup looks like craft glue and despair.
Direction
Jack Hill's bits slap; the rest is cinematic whiplash.
Costume
Sid Haig's beatnik outfit deserves its own preservation fund.

Director
Jack Hill
Trivia, insights & behind the scenes
This started as Operation: Titian, became Portrait in Terror, then Roger Corman handed it to four more directors for reshoots. The result is six films Frankensteined into one.
Stephanie Rothman's involvement makes this a rare 1966 horror credit for a woman director—though good luck figuring out which scenes are hers.
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