

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.
Acting
Wilby's vulnerability; Grant's repression; Graves' raw physicality.
Writing
Ruth Prawer Jhabvala's adaptation respects Forster's hopeful ending.
Cinematography
Sun-drenched Cambridge vs. claustrophobic London drawing rooms.

Director
James Ivory
Trivia, insights & behind the scenes
Rupert Graves was so broke he auditioned in borrowed clothes; his chemistry with Wilby was immediate and unscripted.
Released during Thatcher's Section 28 era, this was the first mainstream British film with a positive gay ending—Forster's 'happiness for Maurice' was finally honored.