

Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
Direction
Dmytryk's post-blacklist comeback, shadow-drenched San Francisco streets.
Acting
Franz's twitchy, pitiable monster—you recoil yet almost understand.
Cinematography
Scope-like framing in standard ratio, locations that breathe unease.

Director
Edward Dmytryk
Trivia, insights & behind the scenes
Made during Dmytryk's 'friendly witness' HUAC testimony period; some read Eddie's confession as indirect autobiography.
Shot on actual San Francisco locations including the still-operating Red's Java House—Miller's workplace was a real dive.
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