

Seattle medical examiner David Krane is obsessed with solving his wife's murder. A possible solution presents itself in an experimental "memory" serum designed by a neurobiology professor, which has the ability to transfer memories from one person to another, but with potentially fatal consequences.
Acting
Liotta's sweaty desperation is peak unhinged
Direction
Dahl's noir instincts elevate silly material
Cinematography
Seattle never looked this rain-soaked and doomed

Director
John Dahl
Trivia, insights & behind the scenes
This was John Dahl's follow-up to The Last Seduction, and the studio cut 20 minutes including a subplot that made Liotta's character even more morally compromised.
Released between Brainstorm and The Cell, this belongs to a weird 90s subgenre of 'memory as physical space' thrillers that technology has now made adorably quaint.