Eleven minutes of paint, blood, and obsession that'll wreck your evening.
A young artist struggles to capture the beauty of a young woman who has been recently crippled and bound to a wheelchair.
Cinematography
Tight frames that trap you with Oscar's fixation.
Acting
Arrighi's silent hunger speaks louder than dialogue.
Director
Grant Filion
Trivia, insights & behind the scenes
Short horror's 2020s renaissance—platforms like Alter and Dust made bite-sized dread viable again, and this fits the 'elevated horror' micro-budget template perfectly.
The wheelchair isn't Adriana's character—it's Oscar's projection. The film deliberately denies her agency to mirror how the genre often treats disabled women as metaphor rather than people.
CA
