Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don't realize is that agoraphobia is not her only psychosis.
Acting
Riesgraf's physical performance sells every tremor and switch.
Direction
Schindler weaponizes the house itself—every room becomes a trap.
Writing
The slow reveal of Anna's 'other' condition hits different.
Director
Adam Schindler
Trivia, insights & behind the scenes
Beth Riesgraf trained with actual agoraphobia sufferers to nail the physical paralysis of leaving safe spaces.
The film inverts the 'final girl' trope—Anna's survival isn't about escaping, it's about the house being hers to control.
US
