

Two women—a fashion executive and her young model—experience parallel romantic disappointments during a trip to Gothenburg, exposing generational differences in desire, illusion, and emotional endurance. A transitional work in Ingmar Bergman’s mid-1950s cinema.
Acting
Dahlbeck and Andersson's devastating parallel performances.
Cinematography
Hilding Bladh's shadowy Gothenburg glamour shots.
Writing
Bergman's cruel, precise dissection of romantic fantasy.

Director
Ingmar Bergman
Trivia, insights & behind the scenes
Bergman shot this between 'Smiles of a Summer Night' and 'The Seventh Seal,' using it to workshop his emerging female-centered tragedy.
The fashion industry setting was Bergman's cheeky nod to his own critics who dismissed his early 'women's pictures'—he made it their nightmare.