Acting
Melvyn Douglas charms through absolute nonsense
Costume
Ruth Hussey's professor-chic transformation sequence

Director
John M. Stahl
Trivia, insights & behind the scenes
Ruth Hussey shot this between The Philadelphia Story and The Uninvited, proving she could pivot from sophisticated to screwball in seconds.
1941 audiences saw divorce comedies as escapist fantasy—Hays Code morality meant ex-wives HAD to lose, making this ending almost transgressive.
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