Four identical drawings, four devastating truths — which version do you trust?
An analog animation using the same set of drawings to tell four different versions of the same story. The emotional fallout of two witnesses to a police shooting, a musical about groovy gay boys making the scene, a cop show about the chase and arrest of a suspect, and a news report about soldiers on leave in Iraq.
Direction
Greyson and Andrews weaponize repetition into radical critique.
Editing
Same drawings, four edits — a masterclass in context manipulation.
Director
Stephen Andrews
Trivia, insights & behind the scenes
Made during the Iraq War and Toronto's policing controversies, this is Greyson's answer to embedded journalism and 'COPS'-style entertainment.
The 'groovy gay boys' musical deliberately echoes 1960s exploitation films, weaponizing camp to expose whose stories get sung versus whose get silenced.
CA
