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Four boys, one rainy afternoon, and the moment childhood dies.
TMDB
66
IMDb
65

Los chicos (1959)

Italian neorealism's rebellious cousinComing-of-age gut-punchStreet-level poetry

Overview

Drama

Four young men are cited in a kiosk during a rainy afternoon. One has to study and the other three go to the cinema, although they are not allowed to entry because their young age. The group consists of Andrés, who works as bellboy in a hotel and dreams of becoming a bullfighter; Chispa, who follows the orders of an old grumpy man; Carlos, a student; and Negro, a shy boy. All they want is to have fun; but reality forces them to confront the problems of the adult world.

Flag of ESESSpanish
Content warning
Lost innocenceClass barriersMasculinity and performanceEscapism vs. reality

Standout Aspects

Direction

Ferreri's debut already shows his cruel humanism.

Cinematography

Madrid's gray streets as character, not backdrop.

Best for:Solo: Rainy afternoon contemplation when you need to feel something.·Rewatch: Catching Ferreri's visual metaphors you missed the first time.
Heads up:Emotional: Hope gets systematically crushed. Bring tissues.
Marco Ferreri

Director

Marco Ferreri

ReleasedJan 1, 1959
Runtime1h 30m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy
Tecisa Film
Época Films

Top Cast

Concha Gómez Conde

Concha Gómez Conde

Chica #5

Félix Dafauce

Félix Dafauce

Enrique

Rosario García Ortega

Rosario García Ortega

María Luisa Ponte

María Luisa Ponte

Joaquín's Mother

Carlos Díaz de Mendoza

Carlos Díaz de Mendoza

Ask about Los chicos

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Ferreri made this after fleeing Italian neorealism's shadow, importing its social conscience to Franco's Spain where censorship barely noticed a film about 'just kids.'

Trivia

The four leads were non-professionals Ferreri found on Madrid streets; José Luis García (Chispa) never acted again, making his naturalistic desperation impossible to replicate.

Gallery

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