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A prison break for your third eye — Clémenti turns 1972 lockup into liquid cinema.
TMDB
52
IMDb
66

The Sun (1988)

cult hypnosiscellular rebellion16mm fever dream

Overview

Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.

Flag of FRFRFrench
Content warning
short filmprisonautobiographicalpsychadelic image
carceral violence and transcendencememory as unreliable archivethe body as political prisonart as survival mechanism

Standout Aspects

Direction

Clémenti's single-handed vision: prisoner, poet, and painter of light.

Cinematography

Hand-painted and solarized 16mm — each frame tortured into beauty.

Editing

Collage rhythm matching fractured prison time: eternal and instantaneous.

Best for:Solo: Midnight. Headphones. Questions about existence optional but likely.·Streaming: Between two longer films, as palate-cleansing psychic disruption.·Rewatch: Frame-by-frame for Clémenti's hand-processed color alchemy.
Heads up:Disturbing: Actual prison photos merged with psychedelic imagery; claustrophobic by design.·Triggers: incarceration trauma rendered abstract but viscerally present.
Pierre Clémenti

Director

Pierre Clémenti

ReleasedDec 1, 1988
Runtime16m
StatusReleased

Vibe

Paceslow
Intensityhigh
Tonedark
Feelheavy

Top Cast

Pierre Clémenti

Pierre Clémenti

Margareth Clémenti

Margareth Clémenti

Balthazar Clémenti

Balthazar Clémenti

Ask about The Sun

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Clémenti processed much of the film himself in his Paris laboratory, often painting directly onto the celluloid — a technique he called 'cinematographic graffiti.'

Cultural

The 1972 arrest was part of Italy's infamous 'Years of Lead' paranoia; Clémenti, though apolitical, was swept up in the dragnet that targeted anyone 'suspicious' — including actors with long hair.

Gallery

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