

An undocumented Filipina immigrant lands a job as a careworker for a seemingly terminal old man, securing a better life for her and her daughter. But a dark discovery threatens to destroy everything she’s strived for and holds dear.
Acting
Max Eigenmann's contained fury could power a small city.
Direction
Zarcilla weaponizes British politeness into genuine terror.
Writing
The title's pun lands like a gut punch by credits.
Director
Paris Zarcilla
Trivia, insights & behind the scenes
Zarcilla, a British-Filipino director, based Joy's experiences on his own mother's decades as a London careworker.
The Garretts' house is a character itself—every creak and curtain designed to evoke the 'polite' racism of upper-class English interiors.