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Andy Warhol made a 3-minute film of Lou Reed's mouth smoking. That's it. That's cinema.

Screen Test [ST264]: Lou Reed (1966)

hypnoticintimateart-school chaos

Overview

Documentary

A close-up of Lou Reed’s mouth, as he takes nine drags on a cigarette, smiles a couple of times, licks his lips, and grimaces. Made for projection behind the Velvet Underground in performance as part of the Exploding Plastic Inevitable multi-media presentation.

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Standout Aspects

Direction

Warhol's 'just point and exist' aesthetic invented an entire movement.

Cinematography

Extreme close-up so tight it becomes abstract landscape.

Best for:Solo: Stare at it like you're in a gallery. You basically are.·Background: Project it at your party and watch people ask what drugs you're on.·Rewatch: Yes, you will notice new lip movements. No, I won't explain why.
Heads up:Drug Use: It's literally just smoking, but 1966 Factory scene energy throughout.
Andy Warhol

Director

Andy Warhol

ReleasedJan 1, 1966
Runtime3m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonemixed
Feellight

Top Cast

Lou Reed

Lou Reed

Himself

Ask about Screen Test [ST264]: Lou Reed

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Part of Warhol's 'Screen Tests' series—472 silent portraits of Factory regulars shot at 24fps but projected at 16fps to create dreamlike slow motion. Reed's was one of the few repurposed for live performance.

Insight

The Exploding Plastic Inevitable essentially invented the modern concert visualizer; without this, no Beyoncé Coachella screens. You're welcome.

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