

Lindsay Lohan surfs at midnight in a five-minute fever dream about fame's undertow.
Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Lindsay Lohan (2011) and Sasha Grey (2011), his first two films, made their debut at the “Commercial Break” film project at the 2011 Biennale di Venezia. In these "motion portraits ", the notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. Both actresses project self-conscious recognition in their performances and in turn point toward the transformative potential of narrative action, framed by their compelling beauty. Phillips’s third film, First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. A contemporary film noir, First Point juxtaposes haunting nocturnal imagery with surf sequences in which female pro-surfer Kassia Meador (Lohan's acknowledged stunt double) and Lohan herself appear.
Cinematography
Nocturnal pool noir meets Malibu moonlight surf.
Direction
Phillips weaponizes Lohan's tabloid mythology.
Director
Richard Phillips
Trivia, insights & behind the scenes
Richard Phillips is primarily a painter who transitioned to film—his 'motion portraits' deliberately blur commercial and fine art boundaries.
This premiered during Lohan's 2011 house arrest era, making her 'surfing' literally impossible to perform herself—a fact Phillips absolutely leaned into.