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She's a dancer, she's a spy, she's four different women — and she's done taking your shit.
TMDB
80

Yo no soy la Mata-Hari (1950)

chaotic goodfeminist rage-comedyspy-fi farce

Overview

Comedy

After the execution of the spy Mata-Hari, the secret service takes the opportunity to arrest some of her collaborators. To arrest one of the ringleaders, they use his girlfriend Niní, a naive dancer. The girl, tired of being manipulated by everyone, decides to become agent X25.

Flag of ESESSpanish
Content warning

Standout Aspects

Acting

Niní Marshall's quadruple role is genuinely unhinged.

Costume

Four distinct looks that sell each character's social position.

Best for:Rewatch: Catch all four characters Marshall plays on second viewing.·Solo: Appreciate Marshall's comedic precision without distractions.
Benito Perojo

Director

Benito Perojo

ReleasedAug 21, 1950
Runtime1h 23m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonemixed
Feelmedium
Paloma-Ares Films

Top Cast

Niní Marshall

Niní Marshall

Niní / agenteX25 / Carmiña / Surabaya

Virgílio Teixeira

Virgílio Teixeira

Richard / Tte. Jorjof

Rafael Calvo

Rafael Calvo

Bonnard - jefe servicios secretos

Francisco Pierrá

Francisco Pierrá

Durand

Ramón Martori

Ramón Martori

Renoir

Rosita Valero

Rosita Valero

Carmela

Xan das Bolas

Xan das Bolas

Don Cosme Fernández

Rafael Bardem

Rafael Bardem

Gerente del hotel polaco

Manuel Requena

Manuel Requena

Mozo

Matilde Muñoz Sampedro

Matilde Muñoz Sampedro

Señora en restaurante

Julia Caba Alba

Julia Caba Alba

Mujer en el tren

Manuel de Juan

Manuel de Juan

Worsikoff

Fernando Aguirre

Fernando Aguirre

Basilio

Roberto Font

Roberto Font

Michel

Trini Montero

Trini Montero

Princesa Jesusa

Ask about Yo no soy la Mata-Hari

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Niní Marshall was Argentina's biggest female star, famous for playing working-class women who outsmarted social systems designed to exclude them.

Trivia

The real Mata Hari was executed in 1917; this film uses her death as launchpad for a comedy about women reclaiming narrative control from the men who surveil them.

Gallery

Reviews

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