In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.
Direction
Rocha turns tedium into a political weapon. Unforgivable genius.
Writing
Disconnected by design. Every frame hates colonialism.
Director
Glauber Rocha
Trivia, insights & behind the scenes
Made during Rocha's European exile after Brazil's 1964 military coup, this is Third Cinema at its most uncompromising—cinema as grenade, not spectacle.
The 'trance' structure deliberately mirrors how colonized peoples experience history—as fragmented, stolen, and surveilled. Your discomfort is the point.
BR
IT
