A Black feminist cosmos where math becomes weapon, wound, and weird poetry.
INFINITY minus Infinity draws on several inspirations: the modernist verse of the Jamaican poet Una Marson, the alluvial invocations of the Martinican philosopher and poet Édouard Glissant, the black feminist poetics of the Brazilian philosopher Denise Ferreira da Silva, and the racial formation of geology theorised by British geographer Kathryn Yusoff amongst others in order to envision a black feminist cosmos animated by the principles of mathematical nihilism.
Direction
Experimental collage that treats theory as visceral, embodied horror.
Sound
Mitchener's voice becomes geological force—layered, crushing, alive.
Writing
Dense, gorgeous, uncompromising: philosophy as incantation.
Trivia, insights & behind the scenes
Una Marson was the first Black woman to work for BBC radio; her modernist verse was radical for 1930s Britain.
Glissant's 'alluvial' thinking rejects root-based identity for relational, sedimented becoming—perfectly suited to diasporic cinema.
US
GB
