4 minutes. One thief. Zero dialogue. Maximum anxiety.
At night, a young thief boldly breaks into an empty office, but his petty theft goes unexpectedly wrong.
Direction
Gómez Martín squeezes Hitchcock-level suspense into 240 seconds.
Cinematography
Shadows do all the heavy lifting—pure expressionist homework.
Director
Mario Gómez Martín
Trivia, insights & behind the scenes
Gómez Martín made this as a student exercise at Madrid's IIEC film school, reportedly shot in a single night with borrowed equipment.
Spain's 1962 'Nuevo Cine' movement was obsessed with American noir—this is basically a kid from Madrid doing his best Dassin homework.
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