In Seán Martin's "Koan IV", an opening provocation suggests that the things we see continually hide the things we'd like to see. What we see after this is mist in a Scottish landscape. Martin's patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.
Director
Seán Martin
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters
US
GB
