A nephew recalls the sometimes-lonely and often-eccentric life of his beloved uncle.
Direction
Adam Elliot's signature 'clography' style—grotesque and tender.
Production
Handcrafted sets so detailed you'll forget it's stop-motion.
Writing
Sparse narration that lands like a gut punch.
Director
Adam Elliot
Trivia, insights & behind the scenes
This launched Adam Elliot's 'Clayography' trilogy—Uncle, Cousin, Brother—each exploring isolated Australian misfits through grotesque, empathetic animation.
Ellot's style deliberately rejects Pixar polish; he wanted audiences to see fingerprints in the clay, making the characters' imperfections feel human and touchable.
AU
