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A lesbian lawyer becomes a male pimp and loses her mind—French cinema said 'we have no budget but we have trauma'
TMDB
46
IMDb
49
Watch(FR)

La Travestie (1988)

bleak as hellgender-bending chaos1980s grimy Paris

Overview

DramaCrime

Nicole is a female attorney who is frustrated with the male-dominated world of provincial law. She embezzles money from a law firm and travels to Paris where she disguises herself as a man in hopes it will make a difference in her life and career. Nicole has two lesbian affairs and becomes a pimp for one of the women. She also has an affair with a man who indicates that he doesn't want a serious relationship. Nicole's loneliness leads her to the affairs as she continues the downward spiral into schizophrenia in this depressing psychological drama.

Flag of FRFRFrench
Content warning

Standout Aspects

Acting

Zabou Breitman's committed descent into unraveling

Direction

Boisset's unflinching gaze at systemic rot

Best for:Solo: When you want to feel worse about everything at 2am·Streaming: Deep-cut French depression cinema, not casual viewing
Heads up:Disturbing: Graphic mental deterioration, unstable identity themes·Sexual Content: Multiple affairs, pimping dynamics, complicated power exchanges
Yves Boisset

Director

Yves Boisset

ReleasedAug 3, 1988
Runtime1h 47m
StatusReleased

Vibe

Paceslow
Intensityhigh
Tonedark
Feelheavy

Top Cast

Zabou Breitman

Zabou Breitman

Nicole Armingaud

Yves Afonso

Yves Afonso

Alain

Bernard Farcy

Bernard Farcy

The Dutch

Anna Galiena

Anna Galiena

Solange, aka Myriam

Valérie Steffen

Valérie Steffen

Anne-Marie

Christine Pascal

Christine Pascal

Christine Chatelain

Odile Schmitt

Odile Schmitt

Jackie

Gilles Gaston-Dreyfus

Gilles Gaston-Dreyfus

The customer with glasses

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Zabou Breitman also co-wrote the screenplay, drawing from her own observations of France's sexist legal system in the 1980s.

Cultural

The film bombed commercially and was largely dismissed by critics, later rediscovered as a transgressive curiosity of queer French cinema's messy margins.

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