Ana is transported to a dreamlike and dangerous land where she joins an army of girls engaged in a never-ending war. Even though she finds strength in this exhilarating world, she realizes that she's not the killer they want her to be, and time is running out for her to get home.
Cinematography
Night-swimming bioluminescence and decaying art deco hotels shot like perfume ads.
Costume
Mesh, pearls, and combat boots—costume design by a woman who gets it.
Direction
Cinorre's debut drowns you in atmosphere until you stop asking logical questions.
Director
Karen Cinorre
Trivia, insights & behind the scenes
Cinorre cited 'The Beguiled' and vintage perfume commercials as visual references—explains the aggressive prettiness masking rot.
Mia Goth reportedly improvised Marsha's most unhinged line deliveries; the cast lived together during the Croatia shoot and developed genuine clique dynamics that bled into performances.
US
