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A drunk poem destroys everything — and the director won't stop talking about it.
TMDB
100

No (1965)

meta-theatrical chaosHungarian New Waveromantic delusion

Overview

The turnings of this satirical story are accentuated by the comments of the Director and the Author. Éva is in love with Zoli. She expects to live a wild and modern life by his side, not the boredom of a petite-bourgeois household. On a drunken morning, Zoli writes a poem. The poem is published in a morning paper and divides readers. Because of the poem the young man is dismissed it from his work, and his landlord kicks him out from the apartment.

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Content warning
artistic integrity vs. survivalgenerational disillusionmentthe performative nature of rebellionintellectual pretension

Standout Aspects

Direction

Révész breaks the fourth wall with gleeful self-awareness.

Writing

A poem so bad it becomes revolutionary — accidentally.

Acting

Törőcsik's Éva believes in Zoli more than he deserves.

Best for:Solo: When you want to feel smarter than the characters but probably aren't.·Rewatch: Catch the director's commentary irony you definitely missed.
György Révész

Director

György Révész

ReleasedJan 1, 1965
Runtime1h 20m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonemixed
Feelmedium

Top Cast

Mari Törőcsik

Mari Törőcsik

Ferenc Kállai

Ferenc Kállai

Endre Harkányi

Endre Harkányi

Gyula Bodrogi

Gyula Bodrogi

Dezső Garas

Dezső Garas

András Kern

András Kern

Ask about No

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during the brief Hungarian thaw of 1963-65, when filmmakers could mock socialist bureaucracy with plausible deniability.

Insight

The director's commentary isn't just cheeky — it's Révész protecting himself from censors by appearing critical of his own satire.

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