

A Czech madman weaponizes every horror trope ever made.
The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.
Direction
Brabec channels 100 years of horror in 99 minutes.
Production
Tinted film segments that actually serve the story.
Acting
Pavelka plays three versions of himself. Ego? Art? Both.
Director
Jaroslav Brabec
Trivia, insights & behind the scenes
Váchal's 'Blood Novel' was genuine 1920s Czech surrealist lit, not invented for this film.
Raoul Schránil's casting as Prince Pedro was deliberate: he was a genuine 1930s Czech matinee idol, now playing his own obsolescence.
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