One man, one camera, and the audacity to film his own side's war crimes.
Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.
Direction
Economical storytelling—every frame has a body count.
Editing
Past and present collide in brutal juxtaposition.
Director
Andrés Gallegos
Trivia, insights & behind the scenes
Hircefeld kept his military footage hidden for decades; some clips in the film were shot on VHS in 1988 and nearly degraded beyond recovery.
The film circulated through activist networks before festival play, making it a case study in documentary as direct action rather than art object.
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