"A four-channel video installation featuring original footage shot primarily from a bird’s eye view of the Kansas town known as the geographical center of the US as a way to reflect upon what the artist considers “a metonymy for the country as a whole”. Double-projection imagery of the aerial shots of this landscape — at times forming abstract and stereoscope-like compositions — become close-ups on grotesque monuments and sculptures as the camera descends to ground level. Additionally, two iPads both contained within glass domes each play a video of one of two houses that sit directly opposite each other in a residential Topeka neighborhood. One is the headquarters of the infamous Westboro Baptist Church with its anti-LGBTQ signs and other hate-filled rhetoric; the second is the “Equality House”, which was formed later as a direct response, with its rainbow colors and messages of peace and acceptance." - Microscope Gallery
Director
Peggy Ahwesh
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