Azlan (Saiful Apek), a chalet worker in Bagan Lalang, receives an envelope requesting him to go to a law firm in Kuala Lumpur. Upon arrival, he is surprised to discover that he has a twin brother named Azrul, whom he meets for the first time. The reason they are gathered is because of their late-father's will, which states certain requirements that needs to be fulfilled in order for them to inherit RM50 million. Among the odd requests listed is that they must get married to their first wife within three months and make sure their second wife was an orphaned child.
Acting
Saiful Apek playing against himself with zero subtlety.
Writing
The will's increasingly unhinged conditions.
Production
Bagan Lalang vs. KL wealth gap aesthetics.
Director
A. Razak Mohaideen
Trivia, insights & behind the scenes
The film satirizes Malaysia's Muslim inheritance laws through absurd exaggeration—polygamy permits and orphan welfare become punchlines about performative religiosity.
Saiful Apek reportedly insisted on playing both twins without digital assistance, leading to hilariously obvious split-screen moments that became the film's signature.
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