

Your ex wants to move back in and her lover might be assassinated? Tuesday, basically.
To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.
Writing
Tight farce construction, escalating beautifully
Acting
Rémy Girard's exhausted everyman perfection
Direction
Thomas keeps plates spinning with surgical precision

Director
Pascal Thomas
Trivia, insights & behind the scenes
The film satirizes France's 1990s anxieties about Islamic integration through Gabriel's absurd predicament—a tension Thomas treats as farcical rather than threatening.
Director Pascal Thomas cast his own son Clément as one of the children, allegedly because he couldn't find a kid chaotic enough for the role.
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