When a jury member takes in the defendant he couldn't convict, she has a bad influence on his son.
Acting
Hayworth's courtroom glance that launched a thousand fantasies.
Direction
Vidor keeps three competing suitors in delicious tension.
Writing
The censors let shockingly suggestive dialogue slip through.

Director
Charles Vidor
Trivia, insights & behind the scenes
This was Glenn Ford's screen debut—and his first of many films with Hayworth, including Gilda. Their chemistry was immediate and studio-exploited for years.
Released just before stricter Code enforcement, it squeaks by with dialogue about 'compromising situations' that would vanish by 1941. A last gasp of 1930s permissiveness.
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