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A dream walks into reality—literally. Now he's chasing a stranger through a French town.

Clara de Montargis (1951)

dreamlike romancesmall-town mysteryballet elegance

Overview

Drama

Renaud, a young student who is camping alone at the moment, has a dream one night, in which the woman of his dreams appears. When he wakes up the next morning, he cannot believe his eyes: the creature of the dream is there by the side of the road, in the flesh! The woman accepts to drive Renaud to Montargis but it is only after she has dropped him off there that he realizes that what he experienced for her was love at first sight. He then decides not to return to Paris but to try and find the wonderful stranger in Montargis. He discovers that the woman's name is Clara and that she is the member of a drama company.

Flag of FRFRFrench
Content warning

Standout Aspects

Acting

Ludmilla Tchérina—real ballerina bringing otherworldly grace.

Cinematography

Dreamy post-war French countryside, all soft light and longing.

Direction

Decoin blurring fantasy and reality with subtle precision.

Best for:Streaming: Rainy afternoon when you want old-school European romance.·Solo: When you're in a mood to project onto beautiful strangers.
Henri Decoin

Director

Henri Decoin

ReleasedJun 20, 1951
Runtime1h 33m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Films Roger Richebé
Sideral Films

Top Cast

Ludmilla Tchérina

Ludmilla Tchérina

Clara

Roland Armontel

Roland Armontel

The drunkard

Maurice Chevit

Maurice Chevit

Edward, the butler

Madeleine Delavaivre

Madeleine Delavaivre

Madame Bonacieux

Robert Le Fort

Robert Le Fort

The hotel boy

Jean Meyer

Jean Meyer

D'Artagnan / Albert

Jean Piat

Jean Piat

Jean-Claude

Hélène Rémy

Hélène Rémy

Aramis

Louis Seigner

Louis Seigner

Clara's husband

Paul Bisciglia

Paul Bisciglia

Paul Bonifas

Paul Bonifas

Yvonne Claudie

Yvonne Claudie

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Ludmilla Tchérina was a prima ballerina with the Ballet Russe de Monte Carlo before acting; this was her first major dramatic role.

Cultural

The film captures post-war French cinema's obsession with fatalistic romance and the 'femme fatale as unreachable ideal'—think Carné but softer.

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