

Two boys meet two girls and try to forge relationships... then things get complicated when the father of one of them dies, and his son is left with certain family obligations to attend to.
Acting
Mala Sinha's eyes do three acts of dialogue.
Score
Lata-Mukesh duets that weaponize longing.
Director
S.N. Banerjee
Trivia, insights & behind the scenes
Dillagi arrived at peak 'sacrifice cinema' era, when heroines weeping in white saris was basically its own economy. Mala Sinha was the queen of this particular anguish.
Director S.N. Banerjee was primarily a character actor who directed only a handful of films; this was his attempt at prestige melodrama, casting himself in a supporting role naturally.