

Kanao, a courtroom portrait artist, observes crimes, scandals and the decline of Japanese values without passing judgement. As he and his wife endure the tragedy of their first child’s death, hope slowly unfolds and their love story flickers to life once again.
Acting
Lily Franky's face does what dialogue refuses to.
Direction
Hashiguchi lets scenes breathe until they hurt.
Editing
The courtroom and bedroom bleed into each other imperceptibly.

Director
Ryosuke Hashiguchi
Trivia, insights & behind the scenes
Hashiguchi spent years in actual courtrooms sketching; the film's documentary-like detachment comes from genuine observation.
The film quietly critiques Japan's 'gaman' culture of endurance—Kanao and Shouko's silence isn't strength, it's a shared wound.