

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't profitable enough, so he figures to hit the big time by kidnapping the daughter of a rich man.
Acting
Tomas Milian's grotesque, giggling performance is genuinely hard to watch.
Score
Morricone's ironic lounge-jazz mocks every atrocity on screen.
Direction
Lenzi's nihilistic speed-run through human depravity.

Director
Umberto Lenzi
Trivia, insights & behind the scenes
Lenzi called this his 'most violent film' and Milian allegedly hated playing Giulio so much he demanded the character die horribly.
The working title was 'The Kidnap of Mary Lou'—changed when distributors realized Milian's performance was the main attraction, not the crime plot.