A woman arrives with seventeen suitcases and zero explanations.
Karen arrives at hotel room no.772: she has a huge amount of bags and suitcases and she decided to leave behind her previous life and to meet Massimo, a man she met long time ago.
Acting
Kinski's physicality speaks volumes where dialogue crumbles.
Cinematography
Hotel room becomes claustrophobic stage for emotional warfare.
Direction
Maselli lets silence do the heavy lifting.
Director
Francesco Maselli
Trivia, insights & behind the scenes
Maselli shot this in an actual Rome hotel during off-season, using real staff as extras.
Released when Italian cinema was pivoting from neorealism's social scope to interior psychological dramas.
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