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Mary Pickford in a 10-minute heist gone wrong? The 1910s were WILD.

The Master and the Man (1911)

Silent era chaosMoral panic cinemaSpeedrun betrayal

Overview

DramaCrime

A lost film. Henry Jenkins, just released from prison visits his old confederate in crime, Basil King, who is living in affluence. King is not overjoyed to see him, but Jenkins comes just in time as King's butler has left and he is about to entertain lavishly. King loves Elsie Graham, who has given her heart to Ralph Webster and both are guests at the reception. Ralph takes advantage of an opportunity and asks Elsie to marry him and she consents. He has forgotten the ring and announces he will leave the party to get it. King cannot resist the temptation to steal an expensive neckless from one of the guests but the act is noted by Jenkins. The loss is discovered and suspicion falls upon Ralph, who had just left the party.

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Content warning

Standout Aspects

Acting

Mary Pickford's pre-'America's Sweetheart' screen presence already magnetic.

Direction

Thomas H. Ince crams a feature's worth of melodrama into 10 minutes.

Best for:Solo: Curio hunters who want bragging rights about 'lost' cinema.·Rewatch: Film historians analyzing Ince's proto-Hollywood factory techniques.
Thomas H. Ince

Director

Thomas H. Ince

ReleasedMay 15, 1911
Runtime10m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelmedium
Independent Moving Pictures Co. of America (IMP)

Top Cast

King Baggot

King Baggot

Basil King

Mary Pickford

Mary Pickford

Elsie Graham

William Robert Daly

William Robert Daly

Henry Jenkins

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Deep Dive

Trivia, insights & behind the scenes

Trivia

This is one of approximately 75% of all silent films considered lost—surviving only through plot descriptions in trade papers.

Cultural

Thomas H. Ince pioneered the 'factory system' of filmmaking at Inceville, essentially inventing the modern producer role; this efficient 10-minute moral tale exemplifies his assembly-line storytelling.

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