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She married for security. He married for love. The twin brother? Just married for murder.
TMDB
49
Rotten Tomatoes
57
Watch(US)

Hit and Run (1957)

DIY noirdesperation-coregrease-stained femme fatale

Overview

DramaCrime

A garage owner marries a much younger woman. Trouble begins when he becomes friends with a man who has his eyes on his former-showgirl wife.

Flag of USUS
Content warning
twin brotherfilm noirolder man younger woman relationshipmurdered husbandcar garagejunked carsscrap yardfake husband
economic anxietymarital transactionidentity deceptionthe American dream curdled

Standout Aspects

Acting

Hugo Haas playing twins—one pathetic, one predatory, both Hungarian.

Production

Glorious junkyard sets that look cheaper than the cars in them.

Writing

Dialogue so on-the-nose it circles back to accidental poetry.

Best for:Solo: Late night, rain on windows, questioning your life choices.·Rewatch: Spotting which scenes Hugo Haas directed himself into twice.·Friends: Drinking game: every time someone says 'baby' unironically.
Heads up:Violence: Strangulation, off-screen murder, one extremely fake car crash.·Triggers: Age-gap manipulation treated as transactional norm.
Hugo Haas

Director

Hugo Haas

ReleasedMar 15, 1957
Runtime1h 27m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelmedium
United Artists
Hugo Haas Productions

Top Cast

Cleo Moore

Cleo Moore

Julie Hilmer

Hugo Haas

Hugo Haas

Gus Hilmer / Twin Brother

Vince Edwards

Vince Edwards

Frank

Carl Milletaire

Carl Milletaire

Lawyer

John Zaremba

John Zaremba

Doctor

Ella Mae Morse

Ella Mae Morse

Singer

Vikki Dougan

Vikki Dougan

Girl (uncredited)

Ask about Hit and Run

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Haas, a Czech émigré who fled Nazi occupation, pumped his own money into these poverty row noirs—playing the pathetic older man opposite blonde bombshells in seven films.

Cultural

This is peak 'paracinema'—films so technically bad they're fascinating, influencing everyone from John Waters to the Coens' love of threadbare noir.

Gallery

Reviews

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