Three women, one building, zero filters — Austrian cinema at its most uncomfortably horny.
A deadly car crash sets off three parallel stories of women at crisis points, faltering behind the doors of the same, plain Vienna apartment block.
Direction
Spielmann's clinical eye makes voyeurism feel participatory.
Acting
Morzé's fearless, specific physicality anchors the triptych.
Cinematography
Beige apartments have never looked this suffocating.
Director
Götz Spielmann
Trivia, insights & behind the scenes
Part of Austria's early-2000s 'new extremism' wave alongside Haneke, using explicit sexuality to dissect bourgeois complacency.
The apartment building is real — Spielmann lived nearby and wrote the script imagining his own neighbors' hidden lives.
AT
