

A journalist turns the camera on her own body when science demands everything.
Direction
Self-documentary ethics blurred with raw vulnerability—Borrmann never flinches.
Editing
28-day cycle as narrative structure, relentless and biological.
Director
Ina Borrmann
Trivia, insights & behind the scenes
Part of a wave of German female auteur documentaries treating reproductive labor as serious cinema, not lifestyle content.
Borrmann's day job as journalist becomes haunting—she's trained to observe, yet here she cannot escape being the observed.
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