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A fake death, a beach affair, and a bitter pianist—French cinema said 'let them all suffer beautifully.'
TMDB
60
IMDb
58

Rencontres (1962)

sultrymelodramaticcynical

Overview

ComedyDrama

Bella Krastner is sunbathing on a beach on the Côte d'Azur when she attracts the attention of an attractive younger man, Ralph Scaffari. It is the start of a whirlwind romance which looks like it might last beyond the end of the summer. Unfortunately, Bella is already married, to Carl Krastner, a once renowned pianist who has become bitter and reclusive after a car accident that irreparably damaged one of his hands. Krastner no longer has any zest for living. He tyrannises both his wife and his sister Laurence and divides his time between scuba diving and gambling. After ratcheting up a small fortune in gambling debts, Krastner decides to fake his own death so that he can claim on his life insurance.

Flag of FRFRFrench
Content warning
marital imprisonmentcreative deathperformative victimhoodthe performance of happiness

Standout Aspects

Acting

Michèle Morgan's suffocated radiance—glamour used as armor.

Cinematography

Côte d'Azur so gorgeous it mocks these miserable people.

Writing

The casual cruelty of how Carl weaponizes his disability.

Best for:Solo: For when you want to feel superior to everyone's bad decisions.·Streaming: Rainy afternoon with wine and judgment.·Rewatch: Catch the chess moves of a marriage rotting in real time.
Heads up:Emotional: Suicide staging and a man destroyed by lost talent.·Triggers: Controlling spouse dynamics, emotional abuse played as dark comedy.
Philippe Agostini

Director

Philippe Agostini

ReleasedFeb 16, 1962
Runtime1h 35m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Les Films Fernand Rivers
Napoleon Films

Top Cast

Michèle Morgan

Michèle Morgan

Bella Krasner

Gabriele Ferzetti

Gabriele Ferzetti

Ralph Scaffari

Pierre Brasseur

Pierre Brasseur

Carl Krasner

Jacques Morel

Jacques Morel

David

Nico Pepe

Nico Pepe

José

Véronique Vendell

Véronique Vendell

Micky

Ask about Rencontres

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Deep Dive

Trivia, insights & behind the scenes

Cultural

This is peak 'cinéma de qualité'—the French mainstream style the New Wave rebels specifically hated for being too literary and polished. Agostini was a cinematographer first, which explains the pretty suffering.

Trivia

Pierre Brasseur based Carl's physicality on real pianists he'd observed, particularly the way ruined virtuosi protect their damaged hands—a detail that makes his scuba diving almost obscene.

Gallery

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