

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
Direction
Varda's unsentimental compassion, never pitying.
Acting
Bonnaire's physicality—every shrug is a manifesto.
Cinematography
Frozen landscapes that refuse to beautify suffering.

Director
Agnès Varda
Trivia, insights & behind the scenes
Varda invented this hybrid form—part fiction, part oral history—after becoming obsessed with a real frozen body news item. She called it 'cinécriture.'
The 'witness' interviews were largely improvised with non-actors Varda found in the actual locations; Bonnaire lived rough for weeks to prepare.
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