A father tries to rekindle his relationship with his son after years of absence and lack of communication. He takes him on a car ride across northern Norway, hoping it is not too late.
Cinematography
Northern Norway shot like a character withholding judgment
Acting
Georg Friedrich's failed charm hurts to watch
Direction
Arslan lets silence do the screaming
Director
Thomas Arslan
Trivia, insights & behind the scenes
Arslan shot chronologically along actual Norwegian roads to capture authentic weather and light changes.
The film belongs to the Berlin School movement—anti-dramatic, observational, obsessed with spaces between people.
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