

Three stories about the pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Mme Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falling in love with his model - pleasure and death.
Direction
Those legendary tracking shots that glide like guilty thoughts
Cinematography
Black-and-white so lush you'll forget it's monochrome
Writing
Maupassant stories adapted with cynical tenderness

Director
Max Ophüls
Trivia, insights & behind the scenes
Ophüls' legendary tracking shots required elaborate rails built through entire sets, with takes so long actors would literally collapse from exhaustion.
The second segment's brothel pilgrimage scandalized 1952 audiences—Ophüls was accused of making prostitution look almost... wholesome?
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