Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about.
Acting
Ian Carmichael's barely-contained desperation is masterful.
Writing
Kingsley Amis's acidic dialogue cuts deep.
Direction
Boulting frames embarrassment like horror.

Director
John Boulting
Trivia, insights & behind the scenes
The film captures postwar British class anxiety — Jim's provincial background marks him as perpetual outsider in academic circles.
Terry-Thomas based his insufferable Bertrand on pretentious art students he'd observed; the fake goatee was his own idea.
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